Tag Archives: creative process

The Name Game

For those who have been paying attention, one of our FAVOURITE characters has a novella in the pipeline. It’s so close in the pipe I can see it – except for one thing – I can’t decide on a title!

Usually a title comes to me swiftly and I know right up whether it’s going to work or not. But this time I’ve wrestled with soooo many title options and NOTHING sits right.

Given the title of my next novel moves away from the “-ate” word pattern, I’m thinking I’d like to do the same with this science-fantasy novella. Easy right? More options, right? Apparently more is not always, well, more.

Photo Credit: Kellepics, Fantasy eyes forest, Pixabay

I’m not the only writer to hit a block on landing a title, and this isn’t my first naming brick wall. One thing I’ve learned over the years is frustration (and desperation!) is not a friend of the creative process. Rushing forward impatiently can make a mess. Once a story is in the public forum, it’s a big deal to backtrack marketing and social media releases because a name has been hurried and now isn’t working.

So, heeding my own advice, I’ll chew on ideas a while longer and keep you in the loop once I’ve landed a title that works. 😉

MP Ashman Author

After a craaaaazy year, I’m sure I’m not the only one who’s watched a little more Netflix than usual. Eating in has become the new dining out and I’ll bet online movie services are booming. (Not even going start on Zoom!)

As one who rarely watches television, an enforced “keeping up with the Joneses” (well, the state of COVID restrictions) increased my television hours significantly. During our viewings, we stumbled across a Netflix documentary called Flint. To quote:

“A documentary based on five years of research into a Michigan auto town where tens of thousands were drinking water into which poisonous lead had leached, and how officials failed to respond.”

This reminded me of a novel by Sci-Fi YA author, M.P. (Matthew) Ashman. Matthew’s books are a completely different angle with a completely different target audience, but the background has a similar tone, in that the governing authorities in Flint established a new water source then deliberately failed to disclose testing results demonstrating the water was carrying toxic levels of heavy metals. Government corruption. New (dodgy) water source. Non-disclosure. Nice (not).

The premise Matthew applies overlaps this idea (different, but uniquely done), so I thought it would be interesting to get his take on this and learn a bit more about his writing and him as an author.

But this is going to be a Q&A with a difference. We get to hear Matthew’s responses directly from him (just for something cool). So after the questions I’ve asked him (below), click play to see what he has to say. (Thanks, Matthew.) Here goes!

Q1) Matthew, are you familiar with the Flint Netflix documentary?

Q2) Can you describe the underpinning theme of this story?

Q3) At what point did you feel you’d like to see your stories in print?

Q4) What has been the main lesson you’ve learned in your pursuit of publication? Is there anything you would have done differently along the way?

Q5) Tell us your favourite part of the Time Twins water tower story. (Without spoilers, of course 😉)

Q6) Do you have a date for your next release? If so, details please! 😊

Thank you Matthew for lending your voice. It’s been great having you.

To find out more about Matthew’s writing, click here.

For more about Matthew’s novel Time Twins – Water Tower, click here.

Bio:

 M.P. Ashman was born in Maryborough, Queensland in 1985 but the family soon moved to Toowoomba, where Ashman has spent the majority of his life. Discovering a love of writing at eight years old, it was perhaps due to books such as The Neverending Story that his initial interest was in fantasy fiction. Many years later however, he began to carve out his niche in Science Fiction with the initially self-published offering Time’s Child in 2014. However, this and other self-published titles were withdrawn from the market in 2016, with a view to seeking traditional publication. The main characters of the Time Twins series were initially conceived in 2003 whilst Ashman was still at school, but it would not be until many years later that they would find their voice and their story. Ashman continues to live in Toowoomba with his family including his cat, Prue.

 

Author Interview: Blaine Colton trilogy

For the next couple of posts I thought I’d follow up my latest blog by sharing some more interviews. But this time it’s me being interviewed!

In the interview linked below I’m talking to Wombat Books/Rhiza Press Director, Rochelle Manners, about the Blaine Colton trilogy. This brief chat is a nice prelude to what’s coming next time … but more about that then. 😉

For now, I’ll hand you over to Rochelle.

Author interview: Blaine Colton trilogy & writing with Rochelle Manners

TP Hogan Interview

This post I have the absolute delight of interviewing urban fantasy author, TP Hogan. TP’s unique work burst into my world three years ago and I’ve been a fan ever since. I know you’re going to love her novels too. Welcome TP!

1. What genre do you write and why?

I like to claim ‘speculative fiction’, it covers a lot – Paranormal, Fantasy, Urban Fantasy, Sci Fi, Steampunk and Horror. It has a lot of wriggle room to be creative. So far I have one Paranormal novel out, and an Urban Fantasy series.

Oh, by the way – just because a lot of people ask ‘what is Urban Fantasy’ – it’s fantastical (with ‘magic’ instead of technology) stories set in ‘our’ world (historical, now or futuristic) rather than a made up world. Think ‘Harry Potter’ or ‘Fallen’.

The why is kind of a long story.

When I started writing I thought I would write romance. At the time, I read a heck of a lot of romance, and it seemed natural. I wrote one romance (still to be published – maybe) and sat down to write the second and realised the ‘boy meets girl’ sorts of stories wasn’t what I wanted to explore. I had to think a long time on the stories I actually liked to read, aside from the romances. The long time was because I’m a voracious reader and there’s a lot I like. Finally I realised I loved the ‘hidden world’ stories – the world in a world, hidden just beneath the surface of what we think is reality
and ‘speculative fiction’ covers that.

Can you tell us a little bit about your previous works and what inspired them?

Sure. Just be warned, asking me to talk about my books could result in an extremely long answer. I’ll try to keep it short (ish).

Shattered
This one is a Paranormal story about a man (Bastian Ashcombe) who is trapped behind the mirrors of Ashcombe manor and the woman (Mattie Holmes) who is trying to break the curse and set him free.

This one was inspired by a Jon English song called ‘Carmilla’. Part of the lyrics are – “
the man in the mirror says you’re my friend
” and as I heard them I thought ‘what if a woman looked into a mirror and saw a man instead of her reflection?’

Nephilim Code
(Nova, Edward, Zeph)
This series is an Urban Fantasy where Nephilim are real, some want to live ‘normal’ lives and some want to rule humanity like they did in the days of old, and both factions are on the hunt for a living Angel.

This one was inspired far too many years ago, long before I even thought I could be an Author. As a kid I loved the stories of the Greek and Roman gods (still do, although it’s been years since I’ve read one), and because the two cultures had many gods who were so similar, I thought they must have once been real people. I didn’t think they were real ‘gods’ but people who were special in some way. I just never figured out what was special about them.

That was until ‘Nephilim’ came into my sights. In two biblical references (Genesis and Numbers) they are described as the offspring between the sons of man and Angels
and as the ‘men of renown and heroes of old’. That small description triggered the thought ‘what if this is what made the Greek and Roman gods ‘special’
they were Nephilim’. (I’ve since learned that this isn’t an original theory, but I didn’t know that at the time.)

That lead to a little project with my husband (who has a theological background and a strong interest in history and industrial archology) and we tracked a theoretical timeline to see if it was possible for Nephilim to be around in the days of the Greek and Roman gods. As a bit of side-line fun (never denied being a geek) we took the timeline and looked for plausible ways that the Nephilim could end up in Australia.
When we actually succeeded in that (with a bit of poetic licence, I have to admit), it became the inspiration which became the series.

Out of those works, what was your favourite story and why?

That’s a hard question to answer. It’s on par with trying to decide my favourite child. Each has their parts that I love. Edward (Nephilim Code #2) was my first attempt at writing from a male point of view (and a character who is the complete polar opposite of me), and I’m very proud of how that turned out
but I think I like writing puzzles best. They are the most fun. So that would have to be a decision between Shattered and Zeph (Nephilim Code #3). I think I’ll go with Zeph, that one has a full on ‘treasure hunt’ style adventure in it and the clues were a lot of fun to set up.

What has been the most difficult part of your publication (and/or writing) journey?

Believing in myself.

To this day, with four books out and one on the way, I feel like a fraud. Doubts are very good at rearing their ugly heads. I’m not a good writer. I don’t write dark gritty, grab you by the throat and spill your blood books. I get confused when someone starts to talk ‘pronoun cases’ and ‘subject-verb-object sentences’ and I wear out the comma key on my editor’s keyboard. I graduated with an ‘A’ in high school English, but have no further qualifications in writing. No university degree in literature. I sometimes stare at my page as I’m writing and wonder if I’m any good at this at all.

The other day, I finished writing my next book. To get myself out of that world, I went back and re-read the Nephilim Code. I laughed and I cried. And not once did I wince over the story or the characters. I enjoyed it and still can’t believe I wrote it.

I love writing, and I love being in a world hidden within a world, exploring the characters and their journeys. I love fan interactions and having the chance to talk about my books with anyone who stands still long enough. It’s amazing that I get to do something like this, but those doubts can get pretty loud sometimes.

In your writing process, are you a plotter or a pantser or somewhere in between?

A ‘plantser’, maybe? Somewhere in between with a severe bent towards a pantser.
I know from experience that working out a predetermined overview just doesn’t work for me. It causes writer’s block for some reason. I think because I write character driven stories, not plot driven ones.

My most important prep are my character overviews, and they can take months. If I really know my characters, and what drives them then I’ll know how they’ll react to being dumped into the middle of a plot and left to their own devises.

I like to have an overview of the direction I’m going with the story. What the important moments are – I call them my story beats. Mostly that will be in the form of a list or bullet points. I’ll have some research done prior which relate to the story beats, and I’m more than willing to do further research as I go, if needed. While I’m writing I’ll have a file that I’ll add important details to, so I don’t get them lost as I go along. For example, in Nova (Nephilim Code #1), Nova ‘sees’ Nephilim abilities as colours. So I could remember which colour meant which ability, I created a spreadsheet to keep track of them all.

After that, I sit back and let my characters have free reign. So long as they take me in the general direction of my story beats, then it’s all good. Although, sometimes they do take off on their own, and I don’t mind that. If I like where they’re taking me, I’ll adjust the story beats. If I don’t like where they’re taking me I’ll pull them back into line, which most of the time does mean re-writing, but that’s half the fun.

What should we expect next from TP Hogan?

What if Thylacine (Tasmanian Tigers) weren’t extinct, but were shifters trapped in human form? That’s the ‘what if’ question which inspired my next book, Extinct. If all goes to plan, it should be released on 7th October 2017.

Thanks so much for sharing your writing with us, TP. I look forward to reading your newbie!

TP Hogan writes speculative fiction. This allows her to escape…and explore hidden worlds, inhabited by the creatures of her imagination, and she invites you to join her in these realms. She has penned such stories as Shattered, Nephilim Code and Extinct.
When she does step owlishly into reality it is to mess about with baking ideas, play violin, drink copious amounts of coffee and remember that there is a whole other world to explore, in the guise of the beautiful Sunshine Coast Hinterland of Queensland, Australia. She shares her home with her husband and an ever expanding urban backyard garden.
TP Hogan loves talking to readers and writers and you can find to her on Facebook, Twitter and on her website.

Core Strength

Redwood2_AdjA character’s quest lies at the heart of any story, with their journey of change driving the plot as they face obstacles to achieving their ultimate desire. One thing that will undermine any character we write is a lack of consistency and a lack of believability. But ever since a recent family holiday in the ‘Land of the Long White Cloud’, there’s something else I’ve been considering relating to character development.

I think most of us are aware that people don’t behave in the way they do for no reason. We all have a history that predisposes us to certain behavioural patterns, deeply embedded in our thought processes and emotions. For example, children who’ve experienced trauma often, in turn, behave in ways that are unhealthy. Trauma makes as much of a wound on the brain as a physical injury. Even experiences that, to an adult, might seem inconsequential, can profoundly affected a child’s (and ultimately adult’s) behaviour and way of perceiving life. It stands to reason that these types of pain-based behaviours can be difficult to manage, but once identified, the brain can be ‘rewired’ over time by making different choices. Each positive choice makes a small change in the brain. And small changes, over time, make big ones.

Something I find frustrating as a reader is when a character whose entire life has been dictated by negative behaviours, suddenly changes, and then the story is resolved. Now, I’m not denying people can experience profound shifts in thinking over short periods of time, or even significant emotional healing, but more often than not, there’s a dogged grappling with pain-based patterns over time, before the positive choices outweigh the negative wiring of the past.

Just as a child can be damaged emotionally or mentally by being forced to grow up too fast, whether that be through exposure to adult concepts too early or, as mentioned above, through trauma, so our characters can come across as weak and untrustworthy if they change too fast, or without appropriate context and conditions justifying that change.Redwood

But how does this relate to our holiday in NZ? While touring, we visited a Redwood forest. The redwood seed had been brought over from America to grow trees to produce wood for use in construction and other such applications. Unfortunately, the NZ climate wasn’t the same as that from which the trees were brought. The trees grew too fast, leaving the inner core soft and unusable for the purpose it was intended.

Like those magnificent redwood trees, a character can be fleshed out to look every bit the part they’ve been developed to play in a story, but if they don’t go through challenge- or condition-appropriate growth, a reader won’t buy it. I think you’ll agree, there’s something about a character’s inner struggle that builds convincing inner strength, developing rapport with a reader. I do love stories where characters rise above overwhelming odds, but let’s ensure we give our literary heroes opportunity to develop sufficient core strength to make the distance.